The 2019 Arnold Newman Prize For New Directions in Photographic Portraiture

About the Prize

The Arnold Newman Prize for New Directions in Photographic Portraiture is a $20,000 prize awarded annually to a photographer whose work demonstrates a compelling new vision in photographic portraiture. In addition to the winner, the jury selects three finalists each year who are invited to participate in an exhibit at the Griffin Museum of Photography.

The Prize is generously funded by the Arnold & Augusta Newman Foundation and proudly administered by Maine Media Workshops + College. The Griffin Museum of Photography hosts the annual exhibition of work by the winner and three finalists each October.

announcing the 2019 Call for entries

The 2019 Call for Entry will be open from June 15-July 15, 2019. All entries are made through the platform Submittable.


The jurors will select one (1) winner and three (3) finalists for the 2019 Arnold Newman Prize. The winner will receive $20,000. This prize is unrestricted and may be used however the winning artist wishes. The winner and three finalists will be officially announced in August 2019 and their work will be featured in an exhibit at the Griffin Museum of Photography in Winchester, MA from October 1 to 20, with an opening reception on October 10. Artists will be responsible for shipping framed (or otherwise exhibition ready) work to/from the Griffin.

The jurors for the 2019 Prize are:

  • Elizabeth Avedon, Photobook and Exhibition Designer, Writer, and Curator
  • Jessica Dimson, Deputy Photo Editor at The New York Times
  • Paula Tognarelli, Director of the Griffin Museum of Photography

To learn what you’ll need to include in your submission, please see our Terms & Conditions page.


The Mission

Arnold Newman had an insatiable fascination with people and the physical world around him. In his work, he constantly explored the boundaries of portraiture and embodied the spirit of artistic innovation. He was also a passionate teacher–he taught at Maine Media Workshops + College every summer for over 30 years.  In honor of Arnold’s legacy as both a photographer and mentor, The Arnold Newman Prize for New Directions in Photographic Portraiture recognizes excellence in a new generation of photographers by awarding $20,000 to a winning photographer and elevating the work of the winner and three finalists in press and through an exhibition at the Griffin Museum of Photography. The prize, the second largest in the United States, is designed to assist the winner in continuing the pursuit of their work and to serve as a launching pad for the next phase of their careers.  


History of the Prize

The prize was established in 2009 by the Arnold and Augusta Newman Foundation. Maine Media Workshops + College has proudly administered the prize since 2016. Beginning with the 2017 prize, three finalists are selected each year in addition to the winner. Maine Media partnered with the Griffin Museum of Photography to host an annual exhibition of work by the winner and finalists in 2018.

Since 2009, nine artists have been awarded the prize:

2018 Winner + Finalists Gallery

On behalf of the Arnold and Augusta Newman Foundation and Maine Media Workshops + College, we would like to congratulate the 2018 Winner and Finalists of the Arnold Newman Prize for New Directions in Photographic Portraiture. The 2018 winner is Viktoria Sorochinski, for her series “Daddy”. The finalists are Juul Kraijer “Muse”, Francesco Pergolesi “Heroes”, and Donna Pinckley “Sticks and Stones”.

You can view the 2018 ANP Press Kit here. Please direct any press questions to [email protected]

Viktoria Sorochinski, “Daddy

Viktoria Sorochinski is a Ukrainian-born Canadian artist currently working and living in Berlin, Germany. Sorochinski acquired her Masters of Fine Arts from New York University in 2008. In the past ten years she has had nearly 60 exhibitions in 18 countries throughout Europe, North and South America, and Asia. Sorochinski’s work is published and reviewed in over 70 international publications including her monograph “Anna & Eve” published in Germany by Peperoni Books in 2013. She is also a winner and finalist of numerous international competitions, fellowships and awards, such as Leica Oskar Barnack Award, Lucie Award (IPA-Discovery of the Year), LensCulture Exposure Award/Emerging Talent Award, Felix Scholler Award, Visible White Photo Prize (Celeste Prize), Magenta Flash Forward, PDN Photo Annual, J.M.Cameron Award, Voies Off Arles Award, Review Santa Fe, Descubrimientos PHE, BluePrint Fellowship and Canada Council for the Arts Grant among others.

“I’m truly thrilled and honored to be the winner of the Arnold Newman Prize for New Directions in Photographic Portraiture 2018! The recognition of my work by this prestigious award is one of the greatest achievements in my career as an artist-photographer to date. For many years Arnold Newman’s masterful photographic portraiture has been an inspiration for me. I feel really overwhelmed and thankful to the judges for selecting my project as the winner. I have worked on the series DADDY for nearly 10 years and I care deeply about this work and the subject of father-daughter relationships that it portrays. I am really happy that this work is going to get wide exposure thanks to the Arnold Newman Prize.”

2018 Finalists
Juul Kraijer, “Muse

Juul Kraijer was born in 1970 in The Netherlands. She lives and works in Rotterdam.

In the twenty years since she graduated from art school, Juul Kraijer’s meticulous, exploratory methods have yielded an authentic, consistent oeuvre of predominantly drawings, and several sculptures and videos. Her work has been shown widely and is in the collection of many mainly European museums.

Recently she has concentrated on making photographs, expanding and deepening her photographic universe with characteristic single-mindedness.

Francesco Pergolesi “Heroes”

Francesco Pergolesi was born in Venice in 1975.  After a law degree he decided to dedicate his life entirely to photography and installations. His work explores the territory of memories. Every shot is a theater scene. He lives and works between Rome and Barcelona.



Donna Pinckley “Sticks and Stones”

Donna Pinckley was born in Louisiana and has lived in the South all her life. Her work has dealt with the human condition and the intimate relationship between the subject and her audience and has evolved into her current body of work that deals with racism. She received a Bachelor of Fine Arts in photography from Louisiana Tech University and a Master of Fine Arts in photography from University of Texas at Austin.

She has received Visual Artist Fellowships from the Mid-America Arts Alliance/NEA and the Arkansas Arts Council. Her work has been exhibited nationally and internationally in over 200 solo/juried shows and included in several public collections, such as the Ogden Museum of Southern Art in New Orleans, Louisiana, the University of VeraCruz at Xalapa, VeraCruz, Mexico, and the Photographic Collection at the Harry Ransom Center, University of Texas at Austin.

In 2017, she received the Beth Block Honorarium from the Houston Center for Photography’s Member’s Show and in 2016, she was the first recipient of the Josephine Herrick Photography Award for combining photography with social justice. Also, that year, she was selected for PhotoLucida’s Critical Mass Top 50 exhibition. In both 2015 and 2014, she won Honorable Mention in the Black and White Spider Awards and in 2013, she won third place at The International Photography Awards. She has been published in GEO Germany, Black and White (UK), The Photo Review magazine, Photography Quarterly and the online   publications, and and She is currently Professor of Art at the University of Central Arkansas.


Arnold Newman began his relationship with Maine in the late 1970’s, traveling from his home in New York City each summer to join a host of other renowned photographers in Rockport, who were teaching at the Maine Photographic Workshops, now known as Maine Media Workshops. For Arnold, Maine was a place of inspiration and rejuvenation and the Workshops a place to see old friends, be immersed in photography and share his work and experiences through teaching. He never came to Maine for just his workshop; it was always a longer stay. For more than thirty years, Arnold and his wife Augusta were vital influences among the Workshops community.

I first met Arnold at the Workshops in the summer of 1990. On a hot summer night, I sat in the crowded Union Hall Theater to listen to his lecture, and see the images illustrating his long and extraordinary life as a photographer. It was a lecture he would give every year, and each year, he would begin by asking the young photographers in the audience if they knew of the notable subjects in his photographs – always imploring that we must know our history, telling his audience, “we learn from the past.”

It would be a very long lecture. Arnold loved to tell stories. His stories are pretty hard to beat – how many people can share with you their personal account of photographing the man responsible for curing polio ­ or, every President since Truman? Photographing Otto Frank, the father of Anne Frank, on the day the Anne Frank House opened to the public or­ nearly every artist of note in the 20th century? About spending a day with Picasso? Being with Arnold was like being with a walking, talking history book.

I, like so many others in that crowded Union Hall Theater for Arnold’s slide show, was captivated by the way each image appeared to emerge from the innermost essence of the sitter. These were not ordinary pictures of people. Rather, they evinced the spirits of individuals engaged in their various pursuits, their innermost psyches, and their most honest moments. He has provided the world some of the most memorably significant and truest depictions of important figures in the areas of politics, sciences, and of course, the arts. For many admirers of these subjects, Arnold’s are the quintessential images.

During his extended visits to the Workshops, Arnold would act as an unofficial artist­ in­ residence. Many would enjoy the company of Arnold and Augusta for meals under the dining tent, where Arnold would regale his listeners with yet more stories. After all, he had a lifetime of extraordinary experiences to share! Frequently, Arnold would ask young photographers to come sit with him and would ask to see their work. On more than one occasion, one of those informal portfolio reviews launched the career of a now well­ regarded photographer.

Arnold was always a teacher, when he was in the classroom, delivering a lecture, or even just sharing a meal. To learn from Arnold, was to learn from a great master of craft, a visionary photographer and genuinely learned man. He helped many understand, in a most profound way, what it is to be an artist. I am now a teacher. My students know that I do so love to tell “Arnold” stories, stories of my time working with him ­and to recount his many stories as a way to teach history. To a great extent, it was through these stories that I learned.

The life and work of Arnold Newman have had tremendous impact on the world, on those who know him only through his photographs as well as on those who have had the great fortune to know him personally. He shared with the world his keen observations of the great figures in our history; now, he is a part of that history, and an indelible part of the history of the Workshops.

~ Elizabeth Thomsen Greenberg, Rockport, March 2010