Learn the fundamentals of screenplay development while crafting your ideas into a script.
There are no available registration dates at this time.
Note: The 2019 Offering of this Workshop will be A one week Session Jul 7-13
The basis for any great film is a great story and turning a story into a screenplay is the important first step in filmmaking. The first week of this two-week workshop will give teens a foundation in understanding how screenplays are written and developed. Students will explore screenplay format, the writer’s process, concept, character development, structure and story arcs. Participants learn about writing visually and creating memorable characters and authentic dialogue.
This workshop is a writer’s lab and provides time for each student to develop ideas and write. Students must bring story ideas to this workshop.
In the second week (optional), the workshop delves more deeply into concept, story structure, character development, plot and subplots, central theme, dialogue, and the process of revising a screenplay. We will explore solutions to the problems posed by each story and script. Students will learn to look critically at writing with special attention to the importance of economy in writing, visual storytelling, and how to heighten the emotional stakes of story and character.
If you have a screenplay-in-progress, you will learn how to revise, sharpen and polish your script. If you are developing an idea or outline that is on its way to becoming a script, you will leave the course having written a “treatment” that details the flow of the script, a document that will incorporate scenes you write at the workshop. We will also explore how the film and television industries work and how careers are launched.
Class time is divided between lectures on the dynamics of screenwriting and discussion of student scripts.One-on-one sessions between the instructor and each student take place throughout the second week.
“Eye opening, constructive and liberating.” Benjamin Gordon, NYC, NY
“One of the best educational experiences I’ve ever had” – Gabriel Magadieu, Falmouth, ME
About the Young Artists Program: Young Artists’ days are comprised of both classroom and field/location work: lectures and critiques, demonstrations, shooting, editing, writing, computer workflow and/or darkroom work, depending on the workshop. All instructors are talented industry professionals as well as experienced educators, and each works with a teaching assistant, providing additional support for their class. The students are busy all day and into the mid-evening hours, attending presentations from visiting master faculty. All Young Artists reside at a nearby residence (a motel-style building, with four students to a room, gender specific, and private bath) located 3/4 of a mile from campus. The property is controlled by Maine Media Workshops and is used exclusively by students and their counselors. Students are shuttled to the main campus each morning for breakfast and to begin their day, and are driven back at the end of the each day, following their last class or other scheduled activity. All meals are taken together. Parents can indicate any special dietary needs upon registration. Counselors supervise the students 24 hours a day, and help make group decisions about weekend activities like swimming, bowling and hiking. Coin laundry facilities are available on campus. A lobster dinner is served (there are other choices) on the last Friday night of each workshop, and all Workshops students gather for an evening presentation of highlights from the week’s work. Parents are welcome to attend and meal tickets may be purchased in the Registration Office.
We recommend students have access to $75/week for incidentals, snacks, movies, field trips etc.
Check-in is on Sunday, between 3 and 6 PM and departure is on Saturday morning.
Tuition Note: includes room and board
Students may request a transcript be sent to their high school for possible credit.
Image Credits: Devin Altobello, Aidan Bliss, Kara Birnbaum
Instructor: Wayne Beach
Wayne Beach has written screenplays for Warner Bros., Twentieth Century Fox, Disney, Sony, TNT, Wolf Films, Village Roadshow Pictures, and other studios and networks. He has developed projects for the makers of Pirates of the Caribbean, The Matrix, The Great Gatsby, Law & Order, House, Chicago P.D., and Ocean’s Eleven. His students have gone on to write hit films and TV shows.