Under Sue Bloom's guidance, unlock your creative potential as you utilize the power of your iPhone camera to capture the breathtaking beauty of the Maine landscape, honing your skills in crafting stunning images.

Aug 19, 2024 - Aug 23, 2024

Levels: Beginner, Intermediate,
Workshop Fee: $1550
Workshop Duration: 1-week (Monday-Friday)
Workshop Location: On-campus
Class Size: 12

Before Dawn - By Sue Bloom
Before Dawn – By Sue Bloom

The allure of Maine is so seductive, from her rugged and rocky coast to waves that surround her finger-like peninsulas, her lighthouses, fishing villages, and lobster boats to historic villages, towns, and farms. 

Belted Galloway Cows - By Sue Bloom
Belted Galloway Cows – By Sue Bloom

Leave your heavy gear home and enjoy the freedom of exploring Maine with your iPhone, as we roam throughout the mid-coast. Discover the modes and techniques that will make your iPhone images gallery-worthy. That little computer in your pocket is actually an amazing camera. This class will also delve into curated apps that are useful in landscape photography, editing, processing Raw files from your iPhone, and ways to produce stellar prints.

Going Down - By Sue Bloom
Going Down – By Sue Bloom

Students should bring their laptops and consider purchasing a small portable battery for long days of making images on the iPhone. 

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Instructor: Susan Bloom

Susan Ruddick Bloom is known for her fine art photography. She uses alternative photographic processes, digital manipulation and multi-media approaches. Sue is considered a pioneer in digital fine art photography and has been involved in making art on the computer since 1984. She holds a BFA and a MFA from the Maryland Institute College of Art. She was Professor and Chair of the Department of Art and Art History at McDaniel College, in Westminster, Maryland. She is now retired and is Professor Emerita. Sue’s book, Digital Collage and Painting, by Focal Press, has been translated into Chinese and Russian. This 608 page book is seen as the Bible for digital collage and painting manipulation and is used as a text in colleges with a digital fine art curriculum. It has gone into a revised and updated second edition. Sue is also the author of  Digital Painting in Photoshop.