Go deep into the art of directing in this Eight-week intensive, guided by industry professionals

Dates:  TBD
Levels:  All
Fee: $10,995  (Intensives are not eligible for any promotional offerings)

Summer 2020 Dates Postponed until the FALL- Check back for soon for updated schedule!

To realize their vision, a director must intimately understand not only the key creative and practical dynamics of their job – but also the roles of their closest collaborators during the development, production, and post-production process of a film.  It’s essential that a director understand story structure and character, and how to work with a writer – even as they may also sometimes choose to be their own writer. They will work closely with producers and often function as a producer. Their closest behind-the-camera connection will be to the cinematographer with whom they must share a common vision for the look and visual style of the film. After production, they’ll work intimately with an editor and will need to grasp the dynamics of flow, pacing, and how to sculpt a scene for the greatest impact. This extraordinary intensive offers a package of classes to equip the complete director. Each workshop is led by an accomplished working professional who will provide a uniquely qualified real world perspective on the realities of the craft, the art and business of filmmaking, and the dynamics of working in collaboration with one another to create and direct a film.


The Courses

The Director's Craft | Peter Werner

In the first week of the intensive students are introduced to the primary responsibilities of the film director. Casting, rehearsal techniques, script, storyboarding, scene analysis, art direction and collaboration are examined and experienced by each class member. With the guidance of a seasoned professional, students explore and develop effective ways to lead, inspire, manage and direct the cast and crew’s creative energies in order to realize the directorial vision.

Directing Actors for the Camera | Geary McLeod, ASC, DGA

The second week is a practical laboratory that explores the process of directing both actors and the camera. Led by an industry professional with extensive experience in both directing and cinematography, students block, rehearse, and direct a team of professional actors in short dramatic scenes. They focus on exploring ways in which the camera and the shot design can be implemented to most effectively help tell their story. Examine the directorial and collaborative processes and the techniques needed to create convincing performances and effective scene coverage in the service of a creative vision.

Story Structure and Character Development | Wayne Beach

In Week Three students examine the essentials of screenwriting: concept, character, story, plot, dialogue, and structure. Guided by a professional screenwriter, you will examine the importance of visual storytelling, the process of shaping story, creating compelling character arcs, constructing scenes and sequences, writing effective dialogue, and the fundamentals of suspense and tension. This week will afford students valuable insight into the screenwriter's process, and its relationship to that of the director.

Creative Producing for Film & TV | Eric Mofford

To successfully launch and complete a project, a director must learn the dynamics of working with a producer - and sometimes how to be their own producer. Students get a chance to step into the financial and logistical world of filmmaking, and experience the perspective of the individual being tasked with bridging this world with the creative one. This workshop closely examines the role of the creative producer in overseeing the development and production of a project from conception to completion. The crucial dynamics of pitching a project and preparing a presentation to talent, financiers, studios, networks, and distributors will be explored. Through it all you will be guided by a deeply-experienced producer.

The Camera and Visual Storytelling | Steven Fierberg, ASC

Here the focus will be on one of the director's most important responsibilities: crafting their shot design to convey a scene’s emotional truth and to practice visual storytelling. This week the intensive will merge with the concurrently-running Cinematography Intensive to afford students the opportunity to work with emerging camera operators and DPs. Led by a deeply accomplished Director of Photography, you’ll learn the “language and grammar" of shot design, point-of-view, composition, camera placement and movement. The course will be heavily project-based and students will collaborate to shoot original concepts. By week's end, participants will have created a short portfolio-quality cinematic piece, and worked with an editor to see their vision to completion. Projects are screened at the Friday night showcase of student work.

The Art of Editing | Bill Pankow, A.C.E.

Whether you want to be a director who edits your own films, or prefer to hand them off to a professional editor, understanding the dynamics of the editing process is crucial to becoming a successful visual storyteller. This course will include screenings, theory discussions, and analysis of films, and students will explore how pacing, shot selection, rhythm, and juxtaposition can be used to create emotional impact and advance a story. Students will be given various types of footage to practice with throughout the week, and will create edits to be critiqued in class. This course will give directing students valuable new perspective, and the ability to keep a clear vision of their final edit in mind when approaching the way they design shots and guide performances on set.

On Film Acting: A Lab for Directors and Writers | Clark Middleton & Ewen Bremner

Get an actor’s perspective on directing. Arguably the most crucial aspect of the director's job is working with their actors. Directors who can understand the actor's experience, and the vulnerable and risk-taking nature of performing, will be able to foster the relationship and the trust needed to create powerful work. This week is co-taught by the accomplished actors Clark Middleton and Ewen Bremner who have worked with many of today’s most respected directors, including Quentin Tarantino, Danny Boyle, Ang Lee, Bong Joon-Ho, David Lynch, and Richard Linklater. Clark’s credits include “Birdman", ”Twin Peaks", "Kill Bill Vol. 2", and "The Blacklist”. A BAFTA Scotland Best Actor winner for “Trainspotting 2”, Ewen’s other credits include the original “Trainspotting”, “Wonder Woman”, and "Black Hawk Down”. In this intensive week, you will practice how to direct actors more effectively and will learn the common language that leads to honest and powerful performances.

Directing Master Class | Allen Coulter

In the final week of the intensive, get an intimate view into the process of a master director whose credits include "The Sopranos", "House of Cards", "Ray Donovan", and "Boardwalk Empire". The week combines lectures, screenings, scene analysis, and practical work. You become part of the crew to help (and observe) our guest director go through their process of preparing, rehearsing, photographing, and editing a scene. Deepen your understanding of how to work with a director of photography as you observe this director collaborate with a master DP from the concurrently running Cinematography Master Class. Witness the most effective implementation of scene coverage, camera moves, and how the director communicates with cast and crew to get the most out of each. The class will cover the dynamics of a director’s career path, and students will be afforded ample opportunity to gain valuable insight from the instructor on their own personal experiences, and roads to success in the world of film production.

Shooting & Directing Branded Content (Optional Follow Up Course)

Students have the option to stay for a ninth week and utilize their broad new set of skills and knowledge to produce and direct a short, portfolio-quality commercial. Students will write scripts, plan visual approaches, cast actors, scout locations, and shoot branded shorts. They will work with an editor as they "direct" their final cuts, which will screen at the final Friday night showcase of student work. This week will afford students the opportunity to use what they've learned in the preceding nine weeks in a real and practical directorial environment, and to demonstrate the skill sets they've acquired that will help them get to the next level in their career.

Please contact Registration for information on room & board fees for intensives at [email protected].

This intensive is not eligible for any promotional offers that may occur.

Image:  ©Tor Rolf Johansen

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