There are no available registration dates at this time.

SOLD OUT!!  Email [email protected] to be placed on a wait list.

NOTE: Jari will run an on-campus iteration of this course Sep 27-Oct 1, 2021

NOTE: This class will be held in a live, online format using the Zoom Platform
Class meets Wednesdays 1-4pm ET, for eight sessions + One-on-One time with the instructor

©Jari Poulin

This course explores the potential of image to take on a new life in the inky world of printmaking where photographic images and transfers are combined with inks in the forms of monoprints, stencils, collagraphs, and other techniques.  This course will expand your vision and allow you to explore the potential of your imagery within the framework of printmaking.

In our workshop we will begin with photographic images as the basic building block on which layers of monoprints, stencils, and other techniques are combined to augment and build interesting intersections of ideas, chance and expressive mark making.

A photographic image can be altered, enhanced, disrupted, augmented and expanded with printmaking in such a way that can add meaning, message, and an enhanced visual experience for the viewer.  If you have ever wanted to put your hand to your images with ink, paint, or other materials, this is the course for you. You will learn to visualize layers, get down and dirty creative, and deploy a printmaking skill set to execute your vision of revealing, concealing and augmenting your imagery in new and exciting ways.

Printmaking is a traditional artistic process in which one transfers images from one or more matrix onto another surface, most often paper.

Class meets Wednesdays 1-4pm Eastern
There will be opportunity for One-on-One sessions with the instructor

Below is a list of materials that students will need for the course. Jerry’s Artarama or Dickblick are good sources for most of this list.

Purchased items should be ordered several weeks before course so they have time to arrive for the first class.


Arches 88 22×30 paper (4-6 sheets)

BFK Rives Paper, 175-280 GSM your choice the 280 is super thick and has a lot of body, 4-6 sheets 22×30, (white or cream acceptable)

Liquitex Medium Acrylic Medium MATTE, 8 oz bottle

Liquitex Gloss Medium 8oz jar

inkAID Transferiez Image Transfer Medium

InkAID Clear Gloss Coat Type II Coating (pint size)

inkAID Transfer Film 8.5×11, 25 sheet box.


Speedball Soft Rubber Brayers, 3” and 6” brayers. If you already have similar sizes that would be fine.  If you want to buy more sizes a 2” would be handy.

Acetate film for stencil making.  You can find this on Amazon.  Grafix Dura Lar

Grafix Monoprinting plates,  9×12, pack of 3 plates  

Akua Intaglio Pigments 118 ml. Start with this Sampler Pack

Akua Titatanium White Intaglio (there is white in sampler pack but you need more)

Akua Release Agent

Akua Blending Medium

Mag Mix

Gelli Plate 8×10

Miscellaneous Supplies:

  • 70% alcohol content Hand Sanitizer gel
  • Foam brushes (mush have half a dozen of these in 2 or 3” width)
  • Bone folder, heavy rolling pin or Akua Pin Press, measuring spoons
  • Scissors ,low tack tape, painter or artist masking tape, paper towels, rags
  • 2 spay bottles 16-32 oz., dish liquid
  • Ruler, pencils, glue sticks, small sponges, artist brushes, Q-tips, erasers, empty jars with lids, color pencils or any kinds of traditional artists materials you have laying around including watercolor, pastel, acrylic.
  • Garbage bags, plastic polypropylene sheeting to lay art work on and protect your work surfaces.
  • Latex or Nitrile surgical gloves
  • N95 respirator mask to protect against fumes which you can find at Lowes, Home Depot, etc.

All images:  ©Jari Poulin

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Instructor: Jari Poulin

Jari Poulin is an artist who uses photography and printmaking based in Ithaca, NY.  She holds her MFA from Lesley University College of Art and Design (formerly the Art Institute of Boston). Her work is portrait based and explores ideas of the ephemeral, memory, and identity. As a former dancer/choreographer her work often features movement and dance or the implied sense of physicality and energetics. She is fascinated by and deploys various forms of obfuscation within her imagery to both challenge and push the boundaries of how the brain chooses to see, fill in the blanks, and discard visual information.  As an artist and fine art photographer, Jari’s images are photographically based.  She uses both digital and analog processes as well as printmaking techniques such as polymer photogravure, monotypes, mixed media and stenciling within her practice. She is a Printmaker Member of the Ink Shop Printmaking Center in Ithaca, NY where she regularly works and teaches workshops. Ms. Poulin is the recipient of many national and international awards including the International Photo Awards (IPA), 7th Worldwide Pollux Awards, Moscow International Foto Awards (MIFA), Prix de la Photographie, Paris (PX3), ND Magazine Awards, Black and White Magazine Portfolio Award Winner, Color Magazine Portfolio Prize, the Ink Shop International Mini Print Juried Exhibit. Her work has been exhibited widely including Galerie la Ferme du Mousseau, Elacourt France, Limerick, Ireland, PhotoPlace Gallery  in Vermont, The Atlanta Photography Group, SE Center for Photography, C4FAP,  Lunder Gallery in Boston, Cape Cod Center for Photography, NYC for the Story of the Creative Exhibition, See Me Year in Review Exhibition on Long Island, The Ink Shop Printmaking Center, State of the Art Gallery in Ithaca, NY, and in many venues throughout the Finger Lakes region.