Explore how to use your own life experiences to inspire your writing and to create autobiographical fiction.

There are no available registration dates at this time.

Note: This Class will be held online using the Zoom platform.
We will meet weekly for 6 consecutive Mondays. June 29- August 3rd

You don’t need to know whether you want to write fiction or memoir; in fact, you can write a blend of the two and still end up with engaging, lively, and publishable writing. Explore how to use your own life experiences to inspire your writing and to create autobiographical fiction. How faithful is memory? How much of your writing can you embellish and still classify as memoir? Can fictional characters be based on real people? Explore these questions with readings from both fiction and memoir. Workshop your writing and discuss when to borrow from real life, and when to use your imagination.

We’ll start with an online meeting from noon – 2:30pm EST every Monday for 6 weeks, where we’ll get to know each other a little, and where we’ll do warm-up exercises and critique the first student piece of writing (which will be sent to all ahead of time). The core of the course will be the critique of student writing: each student will send in one (or two, depending on class size) stories, chapters or selections for group critique, and, we’ll have time for a lively discussion of the work submitted. The instructor will also offer published work for group discussion, and mini-lectures on the points raised by the writing. We’ll also always have time for writing exercises (it’s optional whether you want to read these, or work on them more and submit for later.)  Each student gets a ½ hour private discussion with the instructor at the beginning and end of the course, that they will schedule with her individually.

We’ll also meet as a group once a week at a time convenient for everyone, for 2 ½ hours, which will include breaks for the writing exercises.

Share This

Instructor: Sarah Van Arsdale

Sarah Van Arsdale is the author of four books of fiction and the book-length poem, The Catamount. She is currently working on a collection of poetry. A winner of the Peter Taylor Prize for the novel and a finalist in several international and national writing contests, she serves on the board of the Ferro-Grumley Award in LGBTQ Fiction.