| The Cinematic Memoir

Explore the power of creative nonfiction filmmaking as a form to take viewers on a profound journey into the landscape of memory.

The form of creative nonfiction filmmaking is being used to take viewers on unexpected and powerful journeys into life’s chapters. Kirsten Johnson’s Cameraperson and Ross McElwee’s Sherman’s March are just two examples of films that changed the way we look at cinema and memoir.

Guided by Jay Rosenblatt, a two-time Oscar®-nominated filmmaker (When We Were Bullies, How Do You Measure a Year?), this week-long workshop will examine how creatively engaging with the nuances of memory and personal storytelling can result in an intimate and transformative cinematic experience for viewers. Expect it to be a liberating and memorable week of self-discovery and creative expression.

Through case studies, lectures, discussion, and hands-on experimentation, we’ll examine effective ways to focus a story and conceptual approach, and see how innovative uses of structure, image, editing, and sound design can make your film land with unique impact.  We will consider what cinematic tools and creative nonfiction storytelling techniques—such as incorporating archival footage, animating sequences, narration, still images, music, using actors to recreate events – can most effectively transport the audience into the tone, theme and emotional core of your story.

By the end of the workshop, participants will emerge with a 2-minute film that reflects their unique storytelling style and artistic vision. Students are encouraged to bring home movies (if they have them), photos, and archival images that might be relevant to their projects.

Through a collaborative environment and expert guidance, leave with a deeper understanding of the power of personal storytelling to connect and resonate with audiences on a profound level.

NOTE: This workshop is designed for intermediate and advanced students who are technically proficient with camera equipment and a non-linear editing software of their choice (e.g., Adobe Premiere, DaVinci Resolve, etc.) so that the focus can lie on honing individual artistic voices and embracing authenticity over technical perfection. While Maine Media provides cameras and equipment, you are also welcome to bring your own – even if your preferred camera of choice is a phone.