Jim Nickelson is a photographer whose work inquires into the ways that we as a species grapple with the unknown and our relationship to the Universe, particularly as those inquiries delve into the realms of science and the cosmos. This inquiry is the underpinning for all of his photography, whether it is based on how we seek to explain our role in the Universe via story or myth, how we seek out natural rhythms and cycles, how we seek to impose order on what we experience, or how we seek to understand the workings of the Universe itself.
Jim works full time as a fine art photographer, custom digital printer, and teacher. He is also the author of Fine Art Inkjet Printing published by Rocky Nook in 2017. Before committing himself to the photographic life, he pursued the classic artistic career path of NASA engineer and corporate attorney (with a B.S. in Aerospace Engineering from Univ. of Texas at Austin and a J.D. from Harvard Law School). Jim makes his home in Camden, Maine, with his amazing wife and daughter.
Jim has received numerous awards, including being honored as Artist-in-Residence at Acadia National Park and Chiricahua National Monument in Arizona. Jim has also exhibited widely, including in museums or galleries such as the Boston Athenaeum, Photo Resource Center at Boston University, Danforth Museum of Art (Framingham, MA), Camerawork Gallery (Portland, OR), Center for Maine Contemporary Art (Rockport, ME), University of Maine Museum of Art (Bangor, ME), Michener Art Museum (Doyletown, PA), Bates College Museum of Art (Lewiston, ME), Three Columns Gallery at Harvard University (Cambridge, MA), Soho Photo Gallery (NYC), University of Wyoming Art Museum (Laramie, WY), 555 Gallery (Boston, MA), Davis Orton Gallery (Hudson, NY), Center for Photographic Art (Carmel, CA), Preston Contemporary Art Center (Mesilla, NM), Spiva Center for the Arts (Joplin, MO), Center for Fine Art Photography (Fort Collins, CO), Kingman Gallery (Deer Isle, ME), Coconino Center for the Arts (Flagstaff, AZ), Gallery Photographica (San Francisco, CA), Carver Hill Gallery (Rockland, ME), and Silvermine Guild Galleries (New Canaan, CT).
Jim’s work resides in museum, corporate, public, and private collections across the United States and Canada.
- Digital Techniques – 240