Go deep into the art of cinematography, directing, and storytelling

There are no available registration dates at this time.

 

 

The full 10-week Intensive is sold out, but some individual weekly seats remain.  Email [email protected] with your query.

To realize their vision, a filmmaker must intimately understand not only the key creative and practical dynamics of their job – but also the roles of their closest collaborators during the development, production, and post-production process of a film.  

This extraordinary intensive offers a package of classes to equip the complete filmmaker. Each workshop is led by an accomplished working professional who will provide a uniquely qualified real-world perspective on the realities of the craft, the art and business of filmmaking, and the dynamics of working in collaboration with one another to create and direct a film.

 

Please contact Registration for information on room & board fees for intensives at [email protected]


2022 Courses include:

Framing The Narrative | Adrian Peng Correia

The class will examine how different choices in framing and lens choices can impact the power of a scene. Special attention will be paid to how framing, lenses and lighting can be used to illuminate a character’s emotional and psychological state. Students will weigh how traditional scene coverage versus an unconventional approach can enormously alter how the audience experiences a dramatic moment.

The Art of Cinematography | Natalie Kingston

This workshop covers the fundamental technical aspects and aesthetic considerations of the craft and process of cinematography. Students explore the camera as a tool, and the theory of cinematic storytelling. They are introduced to fundamental concepts through lectures and demonstrations. They explore the theory and use of exposure, lens selection, frame rate, shutter angle, depth-of-field and composition. Through hands-on exercises in-studio and on location, led by a career cinematographer, participants get their feet wet shooting with digital cinema cameras, as well as with various lenses, filtration, and lighting units.

Camera in Motion

This course is for emerging cinematographers and filmmakers looking to immerse themselves in the fundamentals of camera operation and movement. Through a mixture of lectures, demonstrations, and hands-on exercises, students explore the fundamental skills of a camera operator and camera assistant. Exercises break down the best practical use of camera support systems for studio productions, as well as the use of hand-held rigs and 3-axis gimbals. An emphasis will be placed on the motivation for the use of each piece of camera support.

Feature Film Lighting

This course will be an immersion into advanced lighting design. Students will explore a wide range of lighting techniques used in feature films, commercials, and episodic television. Through lectures and discussions led by an industry cinematographer, the class covers the importance of lighting design in visual storytelling, and the processes and industry practices used to execute a wide range of complex lighting set-ups. Students will learn how to scout a location and plan lighting requirements for a shoot and will practice working as a crew, and rotate the roles of DP, gaffer, G&E, and more, to light a variety of interior and exterior scenes, in studio and on-location, as well as car interiors, day and night street scenes, and dramatic scenes with actors.

The Camera & Visual Storytelling

This workshop will focus on the cinematic language and grammar of shot design, composition, camera placement, and movement, and how these techniques are employed to tell effective and emotional stories. Students will work with a distinguished cinematographer as their instructor. The subtle differences in visual styles and their effects on the viewer are addressed through exercises and screenings. The course will be heavily project-based and the entire latter half of the week will be dedicated to shooting original concepts. By week's end, participants will have created a short, portfolio-quality, cinematic piece, and worked with an editor to see their vision to completion. Projects are screened at the Friday Night Showcase of student work.

The Director's Craft | Peter Werner

With the guidance of Oscar-winning director Peter Werner (ELEMENTARY, JUSTIFIED, GRIMM, LAW & ORDER: SVU) students explore and develop effective ways to lead, inspire, manage and direct the cast and crew’s creative energies in order to realize the directorial vision. You will explore and practice casting, rehearsal techniques, as well as script and scene analysis. Discover how to constructively communicate with your collaborators and break through the obstacles that keep you from being the most effective director and visual storyteller that you can be.

Directing Actors for the Camera | Catlin Adams

Spend a week with one of Hollywood’s most in-demand coaches and find out why Catlin Adams is the secret weapon of many A-list stars and directors. This workshop will focus on scene analysis, exercises and techniques to take directors deeply into the dynamics of directing actors. What does an actor need from a director in order to deliver the best performance? How do directors and actors embrace the freedom to risk that can lead to breakthroughs? Preparation sets the stage for compelling and inspired work. Throughout the week, students explore and rehearse scenes with a team of professional actors.

Allen Coulter teaches Maine Media directing students by Tor Rolf Johansen

Directing Master Class | Allen Coulter

Get an intimate view into the process of master director Allen Coulter whose credits include THE SOPRANOS, BOARDWALK EMPIRE, SEX AND THE CITY, HOUSE OF CARDS, and NURSE JACKIE. The class will examine the planning, casting, shooting and editing of scenes and sequences from the instructor’s acclaimed body of work, learning how to think outside of the box and identify the elements that can amplify a scene’s power in bold and unexpected ways. Then you will observe as this director prepares to shoot a scene, collaborates with his cinematographer, and rehearses with professional actors. You’ll watch production of the scene and then his approach to editing it. In the second week, students will have the opportunity to direct their own scenes with the instructor’s guidance. A professional cinematographer and a team of professional actors will support the class. Students will explore the dynamics and nuances of scene coverage and point-of-view, the motivation behind camera moves, and be guided by Allen on how to communicate with cast and crew to get the most out of each. These two weeks will transform your understanding of the director’s art and craft.

The Art of Editing

Whether you want to be a filmmaker who edits your own films, or prefers to hand them off to a professional editor, understanding the dynamics of the editing process is crucial to becoming a successful visual storyteller. This course will include screenings, theory discussions, and analysis of films, and students will explore how pacing, shot selection, rhythm, and juxtaposition can be used to create emotional impact and advance a story. Students will be given various types of footage to practice with throughout the week and will create edits to be critiqued in class. This course will give directing students valuable new perspectives, and the ability to keep a clear vision of their final edit in mind when approaching the way they design shots and guide performances on set.