Are you new to film production and wondering what actually happens on a film set? Get a solid grounding in production dynamics.
Jun 17, 2024 - Jun 21, 2024
Workshop Fee: $1495
Workshop Duration: 1-week (Monday-Friday)
Workshop Location: On-campus
Class Size: 16
This week-long workshop gives participants a solid overview of the physical dynamics of film production. You’ll learn what happens on a film set, the way a film crew operates and interacts, and you’ll collaborate in the making of a short film. This “boot camp” is an ideal way to get the big picture of how everything works before taking other workshops and intensives that allow you to go deeper into specific craft areas.
After getting an overview of how a film set works, with a particular focus on the role of the cinematographer and the camera department, the class will collaborate in the making of a short film directed by the instructor. By serving in different crew roles, students learn who does what, the flow and interaction of responsibilities, and the nuances of collaboration.
Students will also learn set etiquette and safety, the fundamentals of recording production sound, basic lighting and grip concepts, and the essentials of visual storytelling. As the short film is edited by a staff editor you will have an opportunity to learn about the editor’s process and workflow. Throughout the week there will be plenty of time for Q&A.
While the workshop will introduce certain aspects of visual storytelling, you will be able to go more deeply into exploring cinematic aesthetics and tools in The Art of Cinematography the following week. Even better, take this as part of the 5-week Cinematography Intensive followed by the 4-week Directing Intensive and spend your summer with us.
Dive into the dynamics of filmmaking and learn how to walk onto a set with confidence.
Instructor: Alex Burnett
Alex Burnett is a New England-based filmmaker and editor who has worked within the worlds of narrative fiction, documentary, experimental cinema, and virtual reality. Having worked as an editor for National Geographic, the NFL, Colgate University, Vitec Group, and Schiempflüg NYC, he has experience with a vast range of companies and artists. His passion lies in creatively tackling the many challenges that come with telling stories through film.