Hone technical skills, develop personal style, and create a new body of work

Date: Aug 5-18, 2018
Levels: Advanced
Workshop Fee: $3100
Class Size: 15

Save $105!  Book by  January 1 and pay 2017 pricing.

Image Credit: Julie Zink, Young Photographer 2014

This workshop embraces photographic vision while addressing the multitude of technical digital approaches. Students work on location and embark upon field trips to fishing villages, lakes, mountains, forests and the islands in the Bay. They also take advantage of these environments for hikes and swimming.

In the digital darkroom, students learn Advanced Lightroom and Photoshop techniques such as layering, color and collage, along with techniques for controlling contrast, image manipulation, retouching and the use of various papers for printing.

To prepare students for college or other photographic work, the focus of the second week is to create a body of images in a portfolio form.  There are evening shooting assignments, lectures, demonstrations, and assigned lab time where students process digital files and prepare images for this completed body of work.

Prerequisite:

This two-week program is designed for high school students between the ages of 14 and 18. Students must have the core foundation of photography concepts and technique, or have completed the Young Digital Photographers workshop. Admission is by portfolio or the instructor’s permission.

What you will learn:
Students leave this workshop with a complete single portfolio of work for college preparation or future photography work. Become proficient with the tools, technique and experimentation which enables students to explore other level 2+3 workshops.

What you will need:
Students should bring a small body of  prior work, DSLR camera, lens, memory card and a minimum of 120GB Hard Drive. We have cameras and accessories available for loan for the duration of the workshop if needed.


Image Credit: Alley West, Young Photographer 2014

About the Young Artists Program: Young Artists’ days are comprised of both classroom and field/location work: lectures and critiques, demonstrations, shooting, editing, writing, computer workflow and/or darkroom work, depending on the workshop. All instructors are talented industry professionals as well as experienced educators, and each works with a teaching assistant, providing additional support for their class. The students are busy all day and into the mid-evening hours, attending presentations from visiting master faculty. All Young Artists reside at a nearby residence (a motel-style building, with four students to a room, gender specific, and private bath) located 3/4 of a mile from campus. The property is controlled by Maine Media Workshops and is used exclusively by students, selected staff, and their counselors. Students are shuttled to the main campus each morning for breakfast and to begin their day, and are driven back at the end of the each day, following their last class or other scheduled activity. All meals are taken together. Parents can indicate any special dietary needs upon registration. Counselors supervise the students 24 hours a day, and help make group decisions about weekend activities like swimming, bowling and hiking. Coin laundry facilities are available on campus. A lobster dinner is served (there are other choices) on the last Friday night of each workshop, and all Workshops students gather for an evening presentation of highlights from the week’s work. Parents are welcome to attend and meal tickets may be purchased in the Registration Office.  We recommend students have access to $150 over the two-week period for incidentals, snacks, movies, field trips etc.

Check-in is on Sunday, between 3 and 6 and departure is on Saturday morning.

Tuition Note: includes room and board

Students may request a transcript be sent to their high school for possible credit.

Image Credit: Amanda Piela

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Instructor: Madeleine Morlet

Madeleine Morlet is a photographer from London. Since completing a degree in Classics and English at Kings College London she has worked across video and stills for almost ten years with companies such as Ridley Scott Associates, Vice, i-D and Somesuch. Her photography is cinematic, dark and deeply romantic. It has been said that Romantics are often failed Classicists. She is a contributing editor for TEETH magazine and publishes her work frequently.