In 2020 Our CIne Intensive WIll be Held Online with a Series of Master Classes (Rodrigo Prieto, ASC, Phedon Papamichael, ASC, Amy Vincent, ASC and More) View that OFFERING HERE
The Intensive is offered once in the Summer, and again in the Fall.
Our Cinematography Intensive is a fully immersive program that provides students with the knowledge, tools, and experience, essential to become a working professional in the film industry. Unlike any other film program you’ll find, this Intensive exposes you to fundamental film theory, top-tier industry equipment, and the tools and knowledge to prepare you to work as a professional, or get to the next level in your career.
In a sequence of workshops, you’ll spend each week focusing on a particular aspect of the art and craft of cinematography, and be guided by seasoned industry professionals with years of experience honing their craft at the highest levels of film production. You’ll make valuable professional connections, learn hands-on with industry gear, and accumulate content each week for your professional portfolio or demo reel.
Students will leave the program having gained meaningful and extensive experience in all aspects of cinematography, the camera, and visual storytelling.
“The industry professionals that come in are world class. You get intimate time with them to really ask questions, learn, and network with other creatives. All the while, you get hands-on time with some of the best equipment in the industry, which is unique for a small school in the middle of (beautiful) nowhere.
I will always recommend Maine Media as a great organization!”
-Rob Weidner, 2014 Alum
Camera Operator, “Black Panther”, “The Maze Runner”
Header Image: ©Seth MacMillan (Cinematography Intensive 2017)
The Art of Cinematography | Tatjana Krstevski
This workshop is a comprehensive introduction the fundamental technical aspects and aesthetic considerations of the craft and process of cinematography. Students explore the camera as a tool, and the theory of cinematic storytelling. They are introduced to fundamental concepts through lectures and demonstrations. They explore the theory and use of exposure, lens selection, frame rate, shutter angle, depth-of-field and composition. Through hands-on exercises in-studio and on location, led by a career cinematographer, participants get their feet wet shooting with digital cinema cameras and DSLRs, as well as with various lenses, filtration, and lighting units. The dynamics of working as a crew are explored, and students are introduced to the primary roles and responsibilities of each member of a camera team, including Director of Photography, Camera Operator, and Camera Assistant, and their relationships to one another in production.
The Steadicam Workshop | Paul Taylor
In week 2, students are challenged to put their skills to practice. In this unique and intense Steadicam course students learn to interpret a script in visual terms based on the director’s vision, the DP’s requirements and the editor’s needs. They will learn the “language of Steadicam” and how to properly employ it to produce riveting images that enhance the narrative. Students gain practical experience in using the equipment as they are introduced to the technical skills, set etiquette and the aesthetic vision required to become a professional Steadicam operator.
Directing Actors for the Camera
In this course, students explore the crucial relationship between the role of the director and DP. Led by an industry professional with extensive experience in both directing and cinematography, students learn to block, rehearse, and direct a team of professional actors in a short dramatic scene. They focus on exploring ways in which the camera and the shot design can be implemented to most effectively tell the story and convey the emotion of the moment. The goal is to explore the directorial and collaborative processes and the techniques needed to allow the director to cultivate convincing performances from their cast, while also fulfilling the cinematographer's artistic vision, and executing the necessary mechanics of the shot.
Set & Location Lighting
Students are immersed in the world of lighting and grip on a film production, and they learn to address the technical and creative challenges of shooting on location. They will learn lighting practices and techniques, as used in industry production, and gain valuable experience creating a wide variety of unique lighting setups. They will become familiarized with the wide array of lighting systems and fixtures, as well as the plethora of grip gear used on any film set to shape and control light. Proper and safe handling of gear and power distribution will be taught and emphasized.
The Camera and Visual Storytelling | Steven Fierberg, ASC
In this course, the focus will be on the cinematic language and grammar of shot design, composition, camera placement, and movement, and how these techniques are employed to tell effective and emotional stories. Students will work with a distinguished cinematographer as their instructor. The subtle differences in visual styles and their effects on the viewer are addressed through exercises and screenings. The course will be heavily project-based, and the entire latter half of the week will be dedicated to shooting original concepts. By week's end, participants will have created a short, portfolio-quality, cinematic piece, and worked with an editor to see their vision to completion. Projects are screened at the Friday Night Showcase of student work.
Feature Film Lighting
Explore advanced, dramatic lighting techniques used in feature films. Through lectures, screenings, and discussions led by a top industry cinematographer, this class covers the importance of light in visual storytelling, and the techniques and processes to execute a wide array of complex lighting set-ups. Students use LED, HMI, tungsten, fluorescent and more, to light a variety of interior and exterior residential and commercial spaces, as well as car interiors, day and night street scenes, and dramatic scenarios with actors, using the most recent and advanced technology in feature film lighting.
Making the Portfolio Film (Thesis Week)
Week 7 will be the capstone production course for the intensive. This course will be all about creating your film. Under the guidance of a distinguished cinematographer, students will shoot a portfolio-ready, final thesis with the support of their peers and MMW Staff; TA's, editors, and film technical department. Projects will be critiqued by the instructor during their various stages, and following editing, will screen at the final Friday showcase. This class is reserved for 8-Week Cinematography Intensive students only.
Cinematography Master Class
The culminating week of the Intensive is a theory-based Master Class. An acclaimed guest Director of Photography will discuss their work and career, and the development of their style. Scenes from influential mainstream and independent films are screened and analyzed and ample time is devoted to discussion of career paths and industry trends, giving students plenty of opportunity to gain insight from the instructor on their journey and pathways to success in the world of cinematography and the camera department.
Additional workshops available:
In addition to the program’s Primary Workshops, students are offered the option to supplement workshops for concurrently running courses, and/or add discounted pre-requisites or follow-up courses to their intensive. Listed below are several courses that may be of particular interest to cinematography students looking to branch out from the Core Curriculum.
The Director's Craft | Karen Moncrieff
The guiding force of any narrative film is the director. This workshop is an opportunity for cinematography students to step into the role of one of their closest collaborators and explore the craft, process and techniques of directing a scene. Casting, rehearsal techniques, script, storyboarding and scene analysis, camera placement, and collaboration are examined and experienced by each class member. Following lecture, exercises, and discussion of process, participants will cast, block, rehearse, and shoot at least one short scene in this workshop. This course is specifically designed to provide an understanding of storytelling techniques and story development through actors and the camera. It addresses the major practical issues associated with narrative filmmaking.
The Director's Craft 2020 falls on the Week of Sep 13th (Running concurrently with the 2nd Week of the Intensive)
Camera in Action | Paul Taylor
This course is an opportunity for emerging cinematographers to immerse themselves in the fundamentals of camera operation and movement. Through a mixture of lectures, demonstrations, and hands-on exercises, students explore the fundamental skills of a camera operator and camera assistant, as well as a Steadicam Operator. Exercises break down the best practical use of camera support systems for studio productions, as well as the use of hand-held rigs, Steadicams, and 3-axis gimbals. An emphasis will be placed on the motivation for the use of each piece of camera support.
Camera in Action 2020 falls on the week of Sep 20th (Running concurrently with the 3rd Week of the Intensive)
This workshop is an introduction to digital color correction and grading using DaVinci Resolve. Utilizing a workshop atmosphere in combination with lectures, demonstrations and projects, students gain a technical understanding of the art and craft of color correction and grading, as used in professional filmmaking. The course covers full workflow, from initial Resolve setup and color theory, to node structures and delivery. Students learn the tools and nuances of color matching and how to fully utilize this software to take projects to new levels with graded looks.
DaVinci Resolve 2020 falls on the week of Sep 20th (Running concurrently with the 3rd Week of the Intensive)
Documentary Camera | David Wright
This course is an opportunity for cinematographers to explore the technical and creative role that the camera plays in documentary production. Through screenings, analysis of documentaries, examination of camera style, and a close look at technical and storytelling solutions, led by an EMMY and BAFTA award winning cinematographer, students will become experts at defining what makes a convincing documentary.
Documentary Camera 2020 falls on the week of Oct 11th (Running concurrently with the 6th Week of the Intensive)
Please contact Registration for information on room & board fees for intensives at [email protected].
This intensive is not eligible for any promotional offers that may occur.
Image Credits: David Martinez, Hannah Drabin