Learn the latest lighting systems and techniques to create moods and dynamic images for film and video.

Lighting has always been an important tool for all artists. This one-week workshop is for emerging filmmakers, cinematographers, video professionals and film school graduates who want to learn the fundamentals of film and video lighting. This class covers all of the equipment, safety procedures and production methods for narrative films, documentary interviews, and corporate and industrial videos.

Through screenings, lectures and demonstrations, students realize the creative possibilities of lighting. Students learn to use andmanipulate natural and available light more effectively, and use tungsten, HMI, LED, and fluorescent lighting systems, along with grip equipment to shape, bounce and diffuse light. Hands-on exercises, including lighting portraits and close-ups, product still lifes, night exteriors and interiors, car interiors, and day for night, offer students the chance to learn the roles of a film crew.


"I came out of this course with more than just knowledge but with training applicable to a real world career."
- Stewart Farmer, Philadelphia, PA

"When I arrived, I emptied my cup so it could be filled with knowledge.  As I left, it was overflowing with a sense of knowledge and new friendships."
- Kai Jackson, Owings Mills, MD


Daniel Stephens

Daniel Stephens studied filmmaking in the early 1990’s at Loyola University (New Orleans) and the University of South Florida. Subsequently he decided that the best place to apply his storytelling skills was the booming new Internet security industry that blossomed in the mid 1990’s. Eight years later Daniel realized his mistake: filmmakers should make films, not firewalls. In 2000, Daniel left the company he co-founded to return to filmmaking.

He has served as the Chief Lighting Technician and Director of Photography for numerous music videos, commercials, and short and feature films. He is particularly inspired by the verisimilitude of the unpredictable and feels these moments are the foundation of exceptional storytelling.

Daniel is deeply passionate about the planet's resources, both environmental and human. He is particularly engaged in the field of social justice and often works with non-profits specializing in this area to document their work and inform the general public about it through film and multi- media. His work with both the Red Cross Red Crescent and PopTech has taken him across the globe, from Nairobi to Haiti and from Iceland to the streets of Chicago to document and create stories of social change and social justice.

In 2008, Daniel founded the production company Goodfocus specifically to work with non-profits and sustainability-focused companies. Goodfocus' bottom line is focused on social and environmental impact instead of financial return. This model, along with Daniel's freelance work, enables Goodfocus to produce films that shine a light on organizations that might otherwise lose the opportunity to document their work through film.

Most recently, Daniel shot the feature film, ‘After a Long Day, Alexis Comes to a Decision’ directed by the incredibly talented Elizabeth Spear in the delightful metrop of Austin, Texas. His documentary ‘There We Were,’ which tells the story of the recording of James Taylor’s latest album, ‘Before This World,’ was recently released worldwide.

Daniel is currently preparing to shoot the feature film ‘I Am John’, helmed by the incomparable Elizabeth Spear and the feature documentary, ‘Safe at Home,’ produced by Cross River Productions. He continues his work with both Goodfocus and PopTech.

When not somewhere else, Daniel resides on the beautifully lit coast of Maine where he is a partner in the film production companies Goodfocus, LLC and General Films, LLC and a member of the workshops faculty at Maine Media Workshops.


Course Dates

Aug 6 to Aug 12



Class Size


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