Portfolio Development and Marketing in the Digital Age

Make a dynamic and cohesive portfolio and learn the skills needed to circulate and taken profit from your work.

© Forest McullinWhether a photographer’s interest is fine art, documentary photo-journalism, or commercial photography, they need to have an understanding of how they fit into our industry. This includes having a dynamic and cohesive portfolio, knowing how to get it seen, and figuring out how to make it profitable.

During this week, participants should be prepared to take a long, hard look at where their portfolio stands today, both in relation to their intent and in the way it relates to the work of others. Next is a discussion of where each photographer wants to go in their career including an analysis of how their current work supports this direction and what the long term viability of those market segments might be. Last is an examination of how to succeed. Marketing through traditional portfolios, electronic presentations, juried shows, grants, direct mail, web and blog sites and social networks will all be looked at. Business practices including pricing models, controlling overhead, and copyright issues are touched on as well.

Be prepared to ask and answer difficult questions and network with your peers. Aspiring and beginning professionals and seasoned pros looking for new insights are challenged by this workshop. Shooting excursions and head-clearing walks are included as needed.

Participants should bring print portfolios, additional samples for editing purposes, and all of their existing marketing materials.

Instructors

Forest McMullin

© Nicole LecorgneForest McMullin is a freelance photographer and photographic educator based in Atlanta, GA. He specializes in photographing fringe social groups and is respected for his ability to bring out their dignity while still showing them with directness and honesty. His documentary projects have included such diverse subjects as men and women with extensive cranial and facial disfigurement, radical racists and neo-Nazis in Pennsylvania, the first prison boot camp in New York State, Mormons at sacred sites in upstate New York, small-time WWE style wrestlers, and couples involved in the sado-masochistic lifestyle. His travel work has taken him to Asia and Europe multiple times.

Since 2004 his focus has shifted toward his personal work and his photographs have been exhibited across the United States as well as in Paris and Beijing as he continues to cover assignments. His work is found in numerous public and private collections. Currently he is a full time Professor of Photography at the Savannah College of Art and Design’s Atlanta campus and delivers lectures and workshops around the US.

 

http://mcmullinphoto.com/

http://forestmcmullin.blogspot.com/