Capture night light in detail, sharpness, color, mood, and drama

©Arlene Collins

For photographers who have ever wondered how an image possibly captured the night light with such detail, sharpness, color, mood, and drama, this workshop reveals all of the secrets. Everyone can photograph during the day when the light is ‘perfect’. It is more challenging to photograph when the light is low, or at night. Low-light situations offer subtleties of tonality and color.

The class is designed for those who want to push their style, gain control of exposing under low light and create a distinctive look. Participants explore the use of long exposures, using neutral density filters, HDR High Dynamic Range and wireless multi-strobe set-ups on location.

Students gain an understanding of how to properly determine exposures when a light meter reading is not available, how to create nighttime special effects, and how to paint light with a flash unit and flashlights. The effects of time exposures often create more interesting and dramatic photographs. The class works throughout the night to create new, innovative low light imagery, from technical execution to newfound creative vision.

Students should bring a camera, cable release or remote trigger, tripod, speed light, and laptop computer for image processing.

Instructors

Arlene Collins

Arlene Collins specializes in documenting remote cultures and changing civilizations around the world. She currently develops and leads international photography workshops, offers a master photography class and topic-specific short courses in her New York City studio, lectures in the United States and abroad, and consults privately with a number of clients.

She is an Associate Professor of Photography at Parsons School of Design and teaches at the Maine Media Workshops, and for 15 years she taught in the Documentary Photography and Photojournalism Program at the International Center of Photography in New York City.

Arlene is a world traveler, and the list of countries she has not yet visited or worked in continues to   shrink. She has photographed in more than 60 international locations. She has lectured in Yangon, Myanmar (Burma), Havana, Cuba and Istanbul, Turkey, and she has taught workshops at the Centro de la Imagen in Mexico City; ROSPHOTO, the Russian State Center of Photography in St. Petersburg, Russia; the Fototeca Center in Havana, Cuba; and at the Three Shadows Photography Center in Beijing, China. In addition, Arlene has led intensive workshops to Turkey, Morocco, Mali, Ethiopia, Papua New Guinea, China, Tibet, Mongolia, Burma, Vietnam, Laos, Cambodia, Bhutan, Argentina, India, Cuba, Uzbekistan, and Turkmenistan.

Closer to home, she has been a panelist on the Night Photography Seminar at New York City’s Photo Plus and has reviewed portfolios for Photo Plus, The New York Photo Festival, and the Society for Photographic Education.

Arlene has created several long-term photography essays, including Boxing photographed in New York City, Moscow, and Bangkok, and essays on the Rodeo in New Jersey and Voodoo in Western Africa. As she continues her international travels, Arlene also adds to her ongoing photographic essay on “UNESCO – designated” World Heritage Sites. In addition to her still photography, Arlene now produces video. She has created Mali: Witnessing Traditions; Ten Days in May: St. Petersburg and Moscow; The Birqash Camel Market in Cairo, Egypt; A Hamer Bull Jumping Ceremony in the Southern Omo Valley, Ethiopia, and The Democratic People’s Republic of Korea: aka North Korea.

Arlene continues to travel and teach workshops around the world. Recently she returned from photographing in North Korea, and her next workshop is to Kamchatka, Russia.

 

 

 

Course Dates

This course is not offered at this time.
Check our full workshop listing for other alternatives.

Please email us or call 1-877-577-7700 with any questions.

Tuition

$1095

Class Size

15