From Intent to Edit

Build a holistic relationship with your process and establish a deeper discourse with your photographs

Karen Marshall For a photographer to decide on a focus for their artwork can be a difficult task. It is important to move naturally toward something and not to be inhibited by what has worked in the past or ideas of what is good or bad. Accepting what comes authentically is the most challenging and the most important aspect to creation and what will, ultimately, produce the most successful images. 

Knowing how to edit and refine the outcome of a shoot is of equal importance and fundamental to building a relationship with one’s own photography. It can be easier for photographers to ‘take’, ‘make’, or ‘capture’ the picture than it is for them to see what they actually produced. This workshop is a relationship-building course that will help photographers establish strategies and methods to organize, meditate on, and ponder their images.

Participants are encouraged to stand back, evaluate, and reflect on their images, learning how to better understand the success and clarity of their photographs.  Through group exercises, students begin to establish a deeper discourse with their work. Breaking down the method of the editorial process encourages self-discovery and the development of a concise group of images.

Field trips and editorial critiques bolster students’ ongoing relationship with their independent practice. By week’s end students have newfound perspective and strategies for creating work.

Instructors

Karen Marshall

Karen Marshall

New York photographer Karen Marshall documents American social issues. Since studying photography in the photo/film department at Hampshire College in the 1970s, she has worked on still narratives about the cultural landscape of the United States. Her long-term projects focus on the social and psychological lives of her subjects within the American landscape, most examining the coming of age of young people. She often directs her camera at family life, including her Pennsylvania Dutch in-laws' clan, part of a series entitled ‘Pennsylvania In-Laws.' In her documentary journey through American culture, Marshall has witnessed the struggling identity of a group of Navajo Indians and the demise of their earth-based culture in ‘Caretakers of the Earth: Navajo Resistance and Relocation.’ Her work often reflects a narrative that extends over many years. Her recently completed, ‘Between Girls: A Passage To Womanhood', draws upon traditional photographs, book design software, and video and audio. In this project, Marshall articulates the coming of age of a group of urban middle class teenagers, following them from high school into adulthood twenty-four years later. She is the recipient of artist fellowships and sponsorships through the New York Foundation for the Arts, as well as grants and support from private foundations. Her work has been widely exhibited and is part of several collections. Her photographs have been published in the United States and abroad. Marshall lectures frequently and is a committed mentor. In addition to teaching at The Maine Media Workshops, she is a seminar leader in the full-time Documentary Photography and Photojournalism program at The International Center of Photography, is an Assistant Professor (Adjunct) at New York University, and has taught in China and Latin America. As a freelance photographer, her work spans many genres. Marshall has worked for editorial, corporate and advertising clients, and photographed special events. As a portfolio and editorial consultant she uses her keen editing skills to assist others on their book, corporate and fine art projects.