At the heart of most compelling, provocative or surprising stories is an interview with the subject or subjects of the story. In this workshop, we'll discuss finding those stories, interview techniques, what questions to ask, how to convince reticent subjects to speak, and what makes for "good tape". We'll put the tools we've just learned to work on each other with short interviews. We'll delve into about ambient and scene sound — how to identify it and capture it, and how to structure a story, using interview and ambient tape. By examining some successful pieces, we'll figure out why they worked, how they were achieved and how audio fits into multimedia stories. You will be asked to find a story prior to attending the workshop, and you will then dedicate the second part of the week to recording your story and editing it. The course will include the technical aspects of recording audio on professional equipment as well as audio editing and mixing on the industry's standard software - ProTools. No previous knowledge of digital editing is necessary.
Audio Storytelling Basics
Selena Simmons Duff
Rob Rosenthal launched the nationally- reowned radio program at the Salt Institute for Documentary Studies and has taught there for over ten years. He teaches production at the University of Southern Maine and has taught audio production and storytelling at many workshops including the annual immersion workshops run by the National Press Photographers Association.
Rob is also a freelance radio producer. He's produced audio tours, documentaries, podcasts, public service announcements, and commercials. "Malaga Island: A Story Best Left Untold" is Rob's latest documentary at malagaislandmaine.org. It received a first place award from the Maine Association of Broadcasters. Rob also produces Saltcast, a podcast about radio storytelling at saltcast.org. And, he's currently working with photographer Ed Kashi producing audio slideshows for the Open Society Institute.