Experienced photographers continue to develop ways of working with their subjects to create a sense of personal style in their work. The class investigates historical and contemporary fine art as well as editorial portraiture with an emphasis on interpretation and creating a sense of personal vision. During the week participants discuss the use of narrative, aesthetics and psychological approaches as well as the emotional aspects of the portrait.

Andrea leads students from "first impressions" to translating their initial feelings into a creative expression. She covers topics such as approaching subjects, establishing a rapport, and forming a collaboration between subject and photographer that is both intuitive and spontaneous. Andrea encourages students to capture the essence of their subjects while exploring their imaginations and senses to create more intuitive portraits.

There are field trips and lectures, with daily reviews of the work made during the week. Subjects include classmates, strangers on the street, faculty and staff members. Andrea also reviews student portfolios on an individual basis. She also discusses topics relating to the use of portraits in publications and exhibits and addresses legal and ethical issues.