Feature Film Lighting


Explore creative lighting techniques for feature filmmaking.

Photo by Ian BibbySuccessful filmmakers all over the world consider lighting to be a primary tool in visual storytelling.


This is the most advanced lighting workshop for cinematographers, gaffers and freelance filmmakers who want to explore dramatic lighting techniques for feature films. Through lectures, screenings, and discussions, this class covers the importance of light in visual storytelling. Through hands-on exercises, the class tackles challenging lighting situations with a goal of achieving a specific visual aesthetic.


Students tackle creative and technical challenges of cinematography, learn how to scout a location, preplan the lighting requirements of a scene and how to work collaboratively as a film crew. Students light scenes with HMI, tungsten and fluorescent lights and use grip equipment to "shape the light" in a series of exercises. Students light a variety of interior and exterior residential and commercial spaces, car interiors, day and night street scenes, and dramatic situations with actors.


All exercises are analyzed and critiqued the following morning.


Testimonials:


"Looking forward to returning next summer!"
- Ellen Phillips, Chicago, IL


"Having the hands-on approach was vital to my learning experience."
- Bobby Marko, Nashville, TN


"The teaching staff exceeded my expectations."
- Dave McGrath, New York, NY


"It's been a great experience, I learned a ton and can't wait for the next opportunity to come back."
- Brian Williams, Nashville, TN


Workshop sponsored by:

Instructors

Mo Flam

Mo Flam has been working as a Chief Lighting Technician on feature films for over 30 years. His interest in film started by making Super 8 surfing movies and environmental documentaries which led him to graduate school at Columbia University School of the Arts, where he earned an MFA in Film Studies. While at Columbia Mo started an internship with Hart Perry [Cinematographer of Harlan County USA] which led to many opportunities, in the early eighties, including working on documentaries and feature films with Tom Sigel in both the US and Central America.

Mo had the privilege of working with many great cinematographers early in his career, including Michael Ballhaus, Haskell Wexler and Stefan Czapsky, allowing him to learn lighting from some of the most knowledgeable craftspeople. Recently he completed his tenth picture with Academy Award winning Cinematographer John Seale, including The English Patient and 4 other Anthony Minghella films.

Mo has also shot a low budget feature and several shorts and commercials. For more information, please visit moflam.com