Camera Operator


Learn to work on a professional Film or HD Camera Crew, as camera operator, assistant, and dolly grip


All forms of filmmaking, including feature films, episodic TV, documentaries, TV commercials, and music videos, whether shot on film or digital video, require a collaborative effort.


This one-week workshop is for new camera assistants and operators, filmmakers, and video professionals who want to learn to work as members of professional film crews. In lectures, screenings and demonstrations, the class covers the theory of cinematic language, composition, shot design, and the motivation for camera movement. The focus is on exercises based on real world situations to allow students to put into practice the theory covered in the Film & Video Camera Assistant workshop.


The course provides valuable practical experience on 16 & 35mm film and HD camera systems, as each camera crew rotates positions to stage and executes a wide range of challenging camera shots. Instructors assign increasingly difficult shots throughout the week and each student gains experience handling the equipment, completing camera reports, following slating procedures, blocking and setting marks, and pulling focus and zooming. Students learn teamwork, shot procedures, crew communication, set etiquette and vocabulary while acquiring intuitive skills for moving a dolly, pulling focus, composing the frame, and following actors and action with geared and fluid heads, dollies and jib arms.


It is recommended that students take the Camera Assistant for HD & Film workshop prior to this course.


Testimonial:


"Fantastic!"
- David Rosa, St. Sauveur, Quebec


Workshop sponsored by:  

Instructors

Rexford Metz, ASC

Photo by: Jacob Abrams

An Academy Award winning, veteran cinematographer and one of only 250 active members worldwide with the ASC designation, Rexford Metz has worked with Hollywood’s finest directors and actors. He is widely known and well-respected for his artistry and for the quality of his work. The ASC is an educational, cultural and professional organization with membership possible only by invitation; it is extended only to directors of photography with distinguished credits in the industry. The ASC culture asks that seasoned professionals give back to the industry by teaching others the craft. Metz has a passion for teaching; his goal is to mentor FSU Film School students to give them the confidence, knowledge and courage to succeed in the field he loves.

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