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Enjoy some of the best weather, the best lighting and the best new classes this fall. Maine Media Workshops has added dozens of new 1-day, 2-day and weeklong workshops in photography, filmmaking, book arts, multimedia and destinations that will expand your creativity, add power to your resume and fuel your passion while you leave the hectic pace of everyday life behind and do something marvelous for yourself!

Tell that special story in your own voice, in a memoir, on your iPad, as an eBook, in a visual book, in a philosophical manner, with music. Edit those images with two of the latest and greatest platforms, by seeing them in a new way, with light control, in a creative digital darkroom. Take a new path with the Red camera, multiple exposures, by stepping into the intersection of art and science. Do it interactively, by night, with Canon, in Maine! We will help you find the time for all of these -  and more!

Keep checking back — just as sure as the colors brighten in fall, you too will find life brightening with Maine Media's Fall Workshops for All.

It’s all too familiar: you turn a corner in a village in Peru or Portugal, see a local with a fascinating face and colorful, traditional clothing and think, “A fantastic portrait.” But, you don’t take the photo and go home with few "people pictures" from your trip.

Tip #1: The thing that prevents many travelers from approaching people is fear of rejection. There will always be a potential subject who doesn’t want bothered, but in my travels I’ve found people to be more cooperative if I tell the stranger why I want to take his picture. For instance, “I’m a student in a photo class, this is my assignment,” or, “My father’s family is from this region and I’m doing a slide show to share at our family reunion.” The mission specifics are not important, but the fact that you have one and are sharing it opens an element of trust. Also, explaining your mission in the native tongue helps enormously.

Tip #2: Take along your best people pictures to share. Most people can’t resist a really nice picture and if you have samples that show your past successes, you’re much closer to winning permission from your potential subject. The easiest way to do this is to carry a little book from a print-on-demand photo service like Shutterfly, Apple, Blurb or Picaboo. I usually carry a 20 page, 6”x8” softcover book that is inexpensive, easy to carry and works like a charm.

Tip #3: Once you win your subject’s confidence, keep it by photographing them in flattering light. Overcast conditions are ideal for great people pictures. If it’s sunny, try to maneuver your subject into the shade. If you must shoot in bright sunlight, turn your subject away from the sun and turn on your flash. That way, you’ll come back with a nicely lit portrait and not something that looks like a face on Mount Rushmore!

Join Bob Krist’s August 19th workshop to expand on these – and many more tips for capturing those magical moments away from home!

 

Faculty RaffleFrom June through October 2012 at the Maine Media Gallery and at the Ernst Haas Administration Building, raffle tickets are on sale for only $5 per ticket or 12 tickets for $50. You may purchase raffle tickets for work from Tillman Crane, Brenton Hamilton, Constantine Manos, and/or Joyce Tenneson. Raffle tickets are specific to the artist, so be sure to choose the ticket(s) for the image(s) you desire to win.

At the end of the Workshops’ season, an open-to-the-public drawing will be held to draw one winning ticket for each of the four images. All four winners will be notified by phone and/or email after the drawing with winners also announced on our website’s News page and on our Facebook and Twitter sites.

If you’ve already been to Maine Media this year, or cannot come this year, you still have the chance to win! Go to Maine Media's Make A Payment page and purchase your raffle ticket(s) online! Please enter the name of the artist for whom you would like a raffle ticket in the "Comments" box. Your information will be entered on the ticket(s); one-half of the ticket will go into the raffle, the other half will be mailed to you.

All proceeds from the raffle go to support the Maine Media Workshops’ Scholarship Fund!

Peter Turnley, expert photojournalist and renowned photographer for many of the world’s most notable publications and influential people, offers you the unique opportunity to travel with him and 10-11 others. With autumn just a few weeks away and winter close behind, begin planning your end-of-year photo projects in India, Italy, Paris and/or Sicily!

October 14, find yourself in Mumbai, India’s most visually alluring city. Formerly known as Bombay, Mumbai is a rich canvas for photographers. You will experience a vast range of cultural, socio-economic and human extremes that are unlike any other city in the world.

Your time in Mumbai will coincide with the Navaratri celebrations, a series of Hindu festivals with traditional folk dancing. Navaratri offers you the chance to witness amazing moments to photograph in a city with an abundance of fascinating life scenes.

October 28, awaken in Venice for the photography experience of a lifetime. October is an ideal time to photograph Venice’s street and water life as the city returns to its authentic self without hordes of tourists, a time when the weather brings special lighting leading to stunning photographs.

Capture both the ordinary and extraordinary scenes of daily life as you create a breathtaking body of work. Bella Venezia, the perfect place for visual storytelling and illuminating those intimate moments of everyday life!

December 29, arrive in La Ville Lumiere to say, “Good-bye 2012. Welcome 2013!” Explore the rich humanistic traditions of street photography at a very special time of year in Paris, the City of Lights.

Photograph the rich daily life of Paris. Enjoy the work of many of the greatest photographers who have documented the Paris scene: Doisneau, Cartier-Bresson, Brassai, among others. Visit photography museum spaces, meet prominent members of the Paris photographic community and one of the greatest black and white printers.

March 27, 2013 enter the heart and soul of Sicily during Easter week. Explore this fascinating island in search of those special moments of passion, pain and joy that have accompanied the Sicilian Easter week for hundreds of years. This is not simply a photographic journey, but a once-in-a-lifetime human and culinary experience.

Home base is Palermo where you will gather each morning for presentations, photo critiques of daily work and discussions with Peter Turnley and a number of Italian photographers and experts of life in Sicily.

Regardless of the workshop you decide upon, Peter Turnley will help you revel in the joy and wonderment of observing and seeing as you travel across our majestic planet!

 

 

Maine Media has a true affinity for young artists, affectionately known here as YO’s, those amazing photographers, filmmakers and multimedia artists between 14 and 18 years old. What do we treasure in these artists? The same thing we treasure in all artists – their flare for many ways of seeing; their focus and depth of thinking; their passion about their work; those stories and projects that fill their heads and come out with the snap of a shutter or the spin of a motor.

The Young Artists’ program at Maine Media is in session and the energy is unmistakably higher than ever. How does this happen? Kelly Zimmerhanzel, Sachin Dharwadker, Bari Perlmutter and Jacob Freedman talk about The Maine Media Experience, The Filmmaking, The Photography and The Ignition.

 

“We have photography classes in my high school. Mostly, you go out to shoot on your own on the weekend and then take your work to school. After being in Andy [Bloxham]’s class, I now know how to make the picture look good in the camera. I really like Andy; his work is really inspiring and has both a humorous and a conceptual side to it.

Next year I will take A.P. [Advanced Placement] 2D art. Almost everyone else will do drawing or painting while I do photography. I have a single body of work tied to a portfolio. With the photos from my class here last summer and this year, and the knowledge I’ve gained, it will really help me get into the college-credit class and be successful.

I came to Andy’s class last year. He was really helpful to each person’s individual needs, so I wanted to be with him again this year. My parents were skeptical about sending me from Texas to Maine, but after they learned how safe it is here, that we are not alone and get lots of help, they let me come. We looked at other programs but, for instance, other places don’t pick you up at the airport. Here, they don’t want you to be alone so they really help you. That’s why my parents let me come back this summer.

You have to be ready to try new things and be open to talking to new people. The counselors are awesome and it’s great because everyone is interested in the same things you are, it’s even easy to talk with the film kids, we all have things in common. I love it here; I would definitely encourage anyone to come here. It’s great to see so many people like you!”

There are no filmmaking classes in my high school, strictly speaking, but there is a pretty vibrant and enthusiastic filmmaking community. One of my art teachers has a strong interest in film and generally loves to help cultivate our interest in the medium.

Coming here has been an invaluable experience. Even though I made three narrative short films in the last year, I never really had a firm grasp on the production process until I came to Maine Media’s Young Artists program. Before I got here I had always been much more focused on the conceptual side of filmmaking—the writing, the visual language, directing actors—and my shoots were usually a little hectic and disorganized. In the last two weeks I’ve learned about all the other vital contributing factors that make up a good production; I often found myself thinking, “How did I ever survive without a storyboard? A shot list? Lights? Gels?” Everything I’ve learned at Maine Media has proven its worth.

Since I want to have a career in film, it’s amazing that I’ve been able to learn this stuff while I’m still in high school. Having a head start on the type of knowledge that’s necessary in the industry can’t be a bad thing. And I can’t possibly achieve my dream of being an independent writer-director without knowing how to keep a production on its toes.

If someone asked me why they should come to Maine Media, I would tell them that if they want professional-level experience in a field using professional-level equipment while being taught by professionals, it’s definitely the right place to be.

 

 

“I went to a public high school and took photography. It was taught by a teacher who knew the basics, but was really a sculptor. The class really wasn’t about the art of photography at all, it was about the grades.

Here, there is no pressure. We had assignments, but without pressure and without grades. People here know art and they love art. It’s about the aesthetic and the beauty. I love how my whole class was formatted. We’d go somewhere and shoot for hours, then we’d come back and edit. After a few days, Andy [Bloxham] would project our work on the big screen so everyone could see it and then we would critique. We learned about overexposure, underexposure, content, things that we didn’t learn about in high school.

I really like how you can look within a 10-foot radius and see how many different ways there are to photograph that small space. Everyone in the class was in this one place and had so many different ways of seeing and photographing it. It was amazing.

I think of this as going to college. You choose to come here and everyone’s here for the same reason – to learn and to make art. The atmosphere here is great. You can have a conversation with anyone and learn from them since all students think differently. People come from all over and the teachers are so talented. Even going to the 30-minute talks by other faculty gives me so much to learn.

Now I’m here as an intern and a teaching assistant and still learning about photography every day.”

 

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